LONDON | Nov 16, 2018 – Jan 05, 2019
Lisson Gallery | Ceal Floyer

Lisson Gallery is pleased to welcome a new exhibition by Berlin-based artist Ceal Floyer, her sixth with the gallery since she first showed in the same spaces in 1997. Over 20 years on, Floyer has lost none of her defiant simplicity or piercing philosophical precision, producing a distinct body of sculptural works, featuring poetic situations, subtle interventions, as well as new video and light installations.

A sonic experience beneath a clear, parabolic dome, which contains a directional speaker, hung from the ceiling, briefly drenches visitors with a gushing loop of static sound. While Untitled (Static) could be a strangely meditative zone of white noise, within the already white confines of the gallery, it might also act as an approximation of the sound of rain atop an umbrella, creating a momentary trompe l’oreille (the aural equivalent of a trompe l’œil).

Elsewhere, a diptych montage of small-sized images of Hotel Rooms (all works 2018) culled from travel brochures and glossy magazines advertising hotel suites and interior décor, is hung on two adjacent walls. This travelogue of pristine lodgings bespeaks not so much Floyer’s predilection for ironic image appropriation as it deconstructs some of the hidden conventions of commercial photography: each vista of a freshly made-up double- or twin-bedded haven is shot from either a left-hand or right-hand point of view. Floyer proceeds to uncannily mirror and re-stage the angle of the camera in a literal way by categorising and placing each image on either the left- or right-hand side of the space.


 




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