In 2008, Cai Guo-Qiang became one of the world’s only artists to have over 35 million people simultaneously view his artwork during the Beijing Olympic opening ceremony.
As the Director of Visual and Special Effects for the Opening and Closing Ceremonies, his explosive masterpieces made Cai’s fireworks internationally known.
Yet, Cai had been experimenting with gunpowder since 1986, creating a series of explosive events that prefaced his step into the international spotlight.
Cai’s artworks have meaning rooted in Eastern philosophy and contemporary social issues, connecting viewers to a force that transcends society and nature.
His various “explosive events” have been showcased on a variety of global stages, celebrating violent chaos and conjuring awe. Some of his artwork focuses on making political statements - such as his project honoring Hiroshima - while other works promote cultural exchange.
From Brazil to Los Angeles to Japan, Cai’s works have been featured all over the world during his three-decade career.
Fourth sequence of explosion event Black Ceremony (Qatar)
Sky Ladder (2016)
In 2015, Cai created his work Sky Ladder to pay tribute to his grandmother’s 100th birthday.
The pyrotechnic ladder coupled with a giant balloon created a 1,650 ft innovative art piece that caught the attention of Academy Award winner Kevin Macdonald, who ultimately made the Netflix documentary Sky Ladder: The Art of Cai Guo-Qiang.
When asked about his explosive events and the meaning they bring to society, Cai states,
“Art should not be a tool of politics, but sometimes art can help make the political climate more open and help society become more free.”
*partially sourced @ www.quora.com
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Feature Image: Timothy A. Clary | Getty Images | "Edmond de Belamy" sold at Christie's in