Collections

flower with human

Kaoru ナベ • Tokyo • Japan

2019 • Acrylic on canvas

45.5 x 1.2 x 53 cm

flower with human

From your lips to God’s ears

Evgenia Knyazeva • Hong Kong • China

Hong Kong • 2019 • oil, acrylic on canvas

30 x 40 cm

Judgment Day

Frank Chinea Inguanzo • Miami • United States

2018 • Oil on canvas

24 x 30 cm

We all get to be judge, judges that are not qualified to judge..

Arow

Piotr Wozniak • Przerąb • Poland

2018 • Wax, acrylic paint, offset, board

70 x 100 cm • Framed: 76.5 x 106.5 cm

As specimen who subjected Earth to ourselves, we are getting closer to the point of no return. Are we becoming, in some perverse way, similar to God by sending down the plagues to ourselves? Information about the explosion of death brought by totalitarianism, human-induced cataclysms and epidemics are flooding us through mass media, causes contradistinction good from evil impossible to tell. Or maybe this impossibility is the result of lack of the question about the gist of evil? The vanitas motif in my artwork is to remind about inevitable evanescence and death. Nowadays perception of death became unduly simplified. The omnipresence of intrusive media chasing after bombshell leads us to insensitivity, we are becoming more and more resistant to the view of brutal crimes, bloody deaths and corpses. Simultaneously galloping digitalization, that marshals us using algorithms and blears the boundaries between real and virtual world, is dehumanizing our race. Imperfections following from the fragility of every human being combined with contemporary echoes of the biblical plagues, diseases and mortality will bring doom to humanity.

Maria and the fruit trees.

Thandi Sliepen • Ladybrand • South Africa

2006 • Oil on canvas

60 x 60 cm

Second painting of Maria. She working in the farm orchard in winter, 30m outside Ladybrand. The landscape is of the Witteberg about 100km away between Fouriesburg and Ficksburg. I call the range the' sleeping giant'

Abstract Colour Theory 03

Richard Lee • Cardigan • United Kingdom

2019 • Acrylic paint on 300gm paper

30 x 30 cm

Abstract painting based on the theory and balance of colour.

Tea party

Trayko Popov • Sofia • Bulgaria

2018 • Acrylic on canvas

65 x 81 cm

Afternoon tea is a British food tradition of sitting down for an afternoon treat of tea, sandwiches, scones, and cake.

Let Go

Paulo Sanches • Lagos • Portugal

2016 • Oil on Canvas

50 x 70 cm

Untitled 1

Emma Amini • Swindon • United Kingdom

2019 • Natural Pigment Oil Glazes on reclaimed Pine Wood Panel

80 x 120 cm

Untitled Blue Surreal figurative landscape.

Halcyon Apeture 1

Larain Briggs • Dovercourt • United Kingdom

2019 • Acrylic, oils and gold leaf on canvas

26 x 31 cm • Framed: 30 x 35 cm

Often I am drawn to certain themes or recurring imagery. Apertures that have a sense of depth or an intense nearness, have been one of these recurring themes. In this series of work, I have developed this into a project examining ‘Windows’ both literally and metaphorically. Windows may be perceived as a viewing aperture that offers a sense of looking out or looking in, to the external or internal, introvert or extrovert. Mostly, this project seems to reflect a sense of looking in but both concepts are considered.

Urbania No. 17

David Tycho • Vancouver • Canada

2019 • Acrylic on canvas.

76 x 101 cm • Framed: 80 x 105 cm

An abstraction inspired by both natural and fabricated forms found in cities.

26.Untitled

Shefqet Avdush Emini • Arnhem • Netherlands

2014 • Acrylic painting on paneel

40 x 50 cm

Artist: Shefqet Avdush Emini 26.Untitled Acrylic painting on canvas Size: 40cmx50cm Year: 2014 Price: € 1600