The Followers

Caroline Boff • Manchester • United Kingdom

2018 • Acrylic paints on canvas

91.44 x 91.44 cm

The Followers was born out of a wry humour concerning having followers on Instagram and social media in general.

Bull’s Eye Flag (after Jasper Johns)

Ber Lazarus • Ramat Gan • Israel

2010 • Oil on canvas, steel, rubber, glass, paper

50 x 124 cm

Heave – Shangri-La No.4

广义 孙 • Dali • China

2016 • Chinese ink on rice paper

130 x 61 cm

Chinese ink on rice paper. There is no form beyond form. Choosing pure brush and ink, through the material world, I concentrate on the internal feeling of that particular moment. Sometimes outrageous, sometimes subtle, sometimes graceful, sometimes intense, they are all the effect the outside world has on the heart, and are also the reflection the heart casts upon the outside world.

Study of a storm

Kloska Ovidiu • Focsani • Romania

2019 • acrylic painting on stretched canvas

120 x 100 cm

Series "Beyond the inside" Certainly at my beginnings as a visual artist, in childhood, I camed into contact first with the landscape executed in classical manner. At first I drewed, I have learned the secrets, techniques, their stories. Now the artistic maturity, the figurative manner it no longer creates me the same pleasure. My wish is at the moment to create a landscape from a mental perspective, a "Mindscape" , a visual plastic confiruration different from the classic one ... but with a starting point the a real landscape. My "forests" and "clearings" are hiding the forms, they clasify a special romance, turnerian like, the liberated energy is ethereal, subtle, delicate. A viewer admiring a painting from this series in one of my exhibitions has characterized having something that its exudes from the glamor and the fascination of the jewelry with precious stones. All elements of landscape plant undergoes a transfiguration that invites to solitary journeys, both in the macrocosm and in the microcosm. The dynamics and the artistic rhythm are given musicality and light vibration. Basically the concept invites to mental journey into the abyss of being, consciousness, memory and hope. Ovidiu Kloska

where is the moon

Iñaki San • Salamanca • Spain

2017 • clay

13 x 10 x 59 cm

For the exhibition Ignem Terrae earth aggressiveness and strength, the courage that demonstrates the earth, smoke, color and textures, raku ... the counterpoint of whites and blacks ... this is me. my two faces my roots and the time we live full of decisions and indecisions, full of obstacles.

The Muse

Emma Amini • Swindon • United Kingdom

2019 • Natural Pigment Oil Paint on Reclaimed Pine Wood Panel

80 x 120 cm

The Muse,

Haus über Kopf

Michael Volkmer • Kaiserslautern • Germany

2016 • Acryl auf Leinwand

100 x 100 cm

Temptation

Mimi Revencu • Piatra Neamt • Romania

2011 • Acrylic On Canvas

120 x 100 cm • Framed: 124 x 104 cm

Be careful only of those things that matter.

WorpsVegas

Hubert Koenig • Berlin • Germany

2007 • Acryl-Pigment-MT-auf-Leinen

70 x 50 cm

The doc

Gaby Gusek • Bucharest • Romania

2019 • Pen, Copic markers and Letraset markers on paper

29.7 x 42 cm

Escalera

Iñaki San • Salamanca • Spain

2017 • clay

10 x 24 x 47 cm

For the exhibition Ignem Terrae earth aggressiveness and strength, the courage that demonstrates the earth, smoke, color and textures, raku ... the counterpoint of whites and blacks ... this is me. my two faces my roots and the time we live full of decisions and indecisions, full of obstacles.

Setbacks

Malcolm Giscloux • Toulouse • France

2017 • charcoal on paper

100 x 70 cm

Urbain dance.The charcoals are created from millions of superimposed traints forming the image thus making it possible to vibrate and at the same time to freeze the subject in time. A special atmosphere is formed.

Halucinatii dulci

Victor Covalciuc • Chisinau • Moldova

2019 • Linen canvas / Oil : holst

55 x 57 cm

Laudanum

John Lendis • Cheltenham • United Kingdom

2019 • Oil on canvass

120 x 100 cm

Another place I have never seen

The Bearer of Hope

Megid Khedhiri • Sousse • Tunisia

2018 • oil on canvas

120 x 90 cm

This painting is about a man travelling in the sahara desert with his camel. He is carrying with him a little olive tree in a basket; looking for the ideal place to plant it and see it grow and prosper safely. Every human being is a traveller holding on to something (a life project, fulfillment, an idea, or an ideal) in his heart and mind searching for the ideal place, time, people to see it happen and prosper. At the same time, Everyone is struggling to escape from the things that kill that hope and passion inside them. It is a story about struggle and hope. Life is like that sahara desert, very beautiful yet ruthless and sometimes hostile. Life contains our hopes and sufferings and it is up to us to bear them with dignity in it. The camel, a symbol of patience and resilience, is imposing which makes it key to the meaning in the painting.