Collections

Refreshing

Stefan Miteff • Bad Oeynhausen • Germany

2018 • acrylic on canvas

100 x 136 cm

Elemental No. 5

David Tycho • Vancouver • Canada

2019 • Acrylic on canvas.

76 x 60 cm • Framed: 80 x 64 cm

Inspired by nature, landscape, and intuitive aesthetic impulses.

Deconstruction #2

Andrea Sbra Perego • Turin • Italy

2018 • Mixed media on canvas

70 x 60 cm

Where are you looking at?

Jose Higuera • Cantabria • Spain

2014 • oil on canvas

100 x 65 cm

Where are you looking at? It is a game in which the protagonist, gets lost from his apparent task and distracts her gaze toward a point we don’t know and will never know, because it is out of the painting. Where are you looking at? ... Is the question that will remain unanswered or open to the imagination of the painting’s viewer ... perhaps thinking that the boy’s look turned toward some important think that captured his full attention just then.

Gypsy

yevgen piskunov • Suzhou • Ukraine

2017 • Oil on canvas

70 x 80 cm

Portrait of gypsy

Inside Bodiam Castle England

Joann Renner • Butler • United States

2018 • oil on canvas

40.64 x 50.8 cm

Titled "Inside Bodiam Castle, England", a medieval castle in Sussex, I used the sunset to give a sense of times past. It is also a metaphor for the uncertainties and possibilities humans have always experienced.It is canvas on wood stretchers with a wire hanger. The edges are finished so it is ready to display. Perfect for office, library or gift-giving.copyright 2018 Joann Renner

Mata Hari

Zeiko Duka • London • United Kingdom

Greece • 2018 • Oil on canvas

40 x 50 cm

Whether couched in terms of envy, admiration, or derision, celebrity fascination begins as an exercise in imagining what it would be like to lead a more carefree and pleasurable life.

The beauty of the deep silence

Kloska Ovidiu • Focsani • Romania

2018 • acrylic painting on stretched canvas

80 x 60 cm

Title: from the series " Beyond the Inside " / " The beauty of the deep silence " , signed on June 2018Series "Beyond the inside" Certainly at my beginnings as a visual artist, in childhood, I camed into contact first with the landscape executed in classical manner. At first I drewed, I have learned the secrets, techniques, their stories. Now the artistic maturity, the figurative manner it no longer creates me the same pleasure. My wish is at the moment to create a landscape from a mental perspective, a "Mindscape" , a visual plastic confiruration different from the classic one ... but with a starting point the a real landscape. My "forests" and "clearings" are hiding the forms, they clasify a special romance, turnerian like, the liberated energy is ethereal, subtle, delicate. A viewer admiring a painting from this series in one of my exhibitions has characterized having something that its exudes from the glamor and the fascination of the jewelry with precious stones. All elements of landscape plant undergoes a transfiguration that invites to solitary journeys, both in the macrocosm and in the microcosm. The dynamics and the artistic rhythm are given musicality and light vibration. Basically the concept invites to mental journey into the abyss of being, consciousness, memory and hope. Ovidiu KloskaLast review from the personal paintings exhibition "Alone, to the invisible touch", April - May 2015"Ovidiu Kloska or the DYNAMIC of the IMAGEWhen we approach to the works of Ovidiu Kloska, we focus our attention on a few elements. The first is a tireless desire to experiment techniques, ways of approaching bold plastic, facilities, graphics, drawing, mixed techniques. Interestingly series "The wear of the city", an attempt to use the common places, as the artist says, that transfiguring them to discover the artistic connotation of urban space and its implications in the way of perceiving life beyond reality immediately.The creation of Ovidiu Kloska express a restless, but avid contain as much of the material world, visible and invisible. Relating to art history can approach to a certain extent what it animates the artist of the Romantic vision. Or maybe neo-romantic, of course with all data postmodernism. Art of states freedom of expression and the desire to own individuality with a certain exacerbation. But it is even more than that. It is an anxiety which is included in intangible and fixed the artistic object metaphysical meanings. In fact, the term "fix" is very inappropriate for the artistic approach of Ovidiu Kloska. Images created by him, often human images have a constant flow, have a non-finite that we encounter in Turner's paintings abstract painting or informality, although the atmosphere is released from them is different.As the artist expresses and captions or titles given sometimes works or cycles created the oniric dimension is always present in his approach to the visual. There is a dynamic shape or form captured in constant metamorphosis, change that it captivates the viewer and I send those fears that it will be exalted and the artist. Can any 'anxiety' is not the best because I see the universe created by Ovidiu Kloska a depressive effect. There is a restlessness of străbaterii spaces. Space, spaces of matter of knowledge. There really is and this component: a hurry to reach spiritual essences, primary responses. No, the answers seem to be the subject of his works but the road to it, the whole process with its inner dynamism.How he performs eye? I think that the solutions offered by el- solutions in this moment, because it does not seem an artist to settle for a formula without exploring beyond the EA are quite diverse but unified in terms of style.First it is a variety of materials. Then a recovery of plastics. What we have before us, informality, the game between abstract and figurative sense of decaying matter or transformation, halos surrounding the figures, the alternation of light and shadow, all this is a true exploration of matter, pictorial matter, are a affirmation of the material world. But paradoxically, by the treatment she receives a spiritual dimension and the continuous sliding between material and spiritual is the internal dynamics of the image that captivates us. Quick brushing, gestualitatea that builds and deconstructs form, vibration and light pictorial paste or shadow contained, everything has a vivacity of the movement that it asks the viewer and it integrates artistic process seems to take place in his presence.The artist gives shape to human forms, figures, which he also seems to challenge them. Le coagulates in a universe which is in constant becoming, a mysterious universe.It is a creation made into imminent revelation artist whose approach captures and communicates the images we often surprising."

Help

Ta Thimkaeo • Koh Samui • Thailand

2018 • Oil on canvas

100 x 90 cm

This is a follow on from my Tragedy of war painting; the snail is representing people who are always the ones who lose out and screaming for help, the girl is angry at the horse as he is carving up the map and trying to take advantage of her and she is worried she will lose out. The cat is the warlord always out of danger and always the one who profits from war.

Patchwork City 59

Marilyn Henrion • New York • United States

2016 • mixed media on linen

91.44 x 45.72 cm

digitally manipulated photography, pigment printing on linen , collage on stretched canvas

Summer reflections

Paméla Maria Schellekens • Amsterdam • Netherlands

2018 • photo, yarn,

40 x 40 cm • Framed: 43 x 43 cm

Zooming in on patterns, structures and light in the (urban)landscape. The works depict how these impressions slide over each other and yield new compositions with endless colour shades. Details where color and light on the skin of things is characteristic for the translation of reality. The yarn picks up details, directs the eye and adds a third dimension’. The ‘Reflections’ serie are inspired by how the water and the air influence each other and form an endless wealth of color shades.

19.Untitled

Shefqet Avdush Emini • Arnhem • Netherlands

2018 • Acrylic painting on canvas

80 x 60 cm

Artist: Shefqet Avdush Emini 19.Untitled Acrylic painting on canvas Size: 60cmx80cm Year: 2018 Price: € 7.000

My Personal Landscape 29

Lucie Jirků • Prague • Czech Republic

2019 • Acrylic painting on canvas

120 x 90 cm

Original mountainscape painting - bold semi-abstract painting "My Personal Landscape 29" was created with bright colours on linen canvas. Ready to hang artwork.The size of this particular artwork:Height : 35,4 inches (90 cm) Width : 47,2 inches (120 cm) Depth : 0,8 inches (2 cm)Sides are always painted as part of the painting, so there is no need for framing.All paintings are packed very carefully using solid HDF boards with generous layers of bubbles, foam wrap (Mirelon) and stretch wrap to protect them.Comes with Certificate of Authenticity.Please note that your special request for COMMISSION is warmly welcome!© 2019 Lucie Jirku. All rights reserved.

Setbacks

Malcolm Giscloux • Toulouse • France

2017 • charcoal on paper

100 x 70 cm

Urbain dance.The charcoals are created from millions of superimposed traints forming the image thus making it possible to vibrate and at the same time to freeze the subject in time. A special atmosphere is formed.

O Canada

Lori Goldberg • Vancouver • Canada

2017 • Acrylic on canvas

152.40 x 70.20 cm

Canoes occupy an honoured and iconic place in the Canadian cultural imagination, and their depictions evoke, variously, the fabled workboats of indigenous and colonial histories and their sleek, modern-day descendants, used purely for recreational purposes.