France

Il Lago (The Lake)

Mireille Loup • Arles • France

2009 • Giclée process on Hahnemühle PhotoRag 308g Fine Art

Edition 2 / 5

80 x 80 cm

If you want it with the laminate on Dibon aluminum and chassis, please, contact, me. Mem has several meanings. Mem means in French "read-only memory (ROM)", as opposed to the "random access memory (RAM)" of the computer, while in science, Mem (Maternal-Embryonic) is the name of a medical experiment on genetics and fertility. In Hebrew, Mem or the letter M symbolizes the interior, water, mater and mother. I talk about of women as mothers, their relationship to procreation. Ode, suffering, birth, exaltation.

Homme agenouillé au pied d’une piste

Mireille Loup • Arles • France

2019 • Giclee process on Hahnemühle PhotoRag 308g Fine Art paper

Edition 1 / 5

100 x 100 cm

If you want it with the laminate on Dibon aluminum and chassis, please, contact, me. Versus Dystopia or the Poetics of Uncertainty, is a research on Men and faith. It opposes the idea of ​​a counter-utopia. It nourishes the hope that when something serious, something that defies understanding happens, Man rises to a higher form of humanity and awakens to the sublime reality of solidarity. Taoism teaches that when habits can no longer continue, one must follow a path of extraordinary behaviour. One has to "cross the great river". In Chinese philosophy one must confront uncertain waters to reach new shores. Dystopia depicts an imaginary society, a society organised in such a way as to prevent its members from achieving happiness. To the point of becoming a utopia that turns into a nightmare. The current trend is to endlessly repeat that the world is ill, that our planet is dying, that our civilisation is decadent, that humans are cowards or worse, traitors. I felt that it was important to create Versus Dystopia (...) I often like to believe that uncertainty is what makes us the most human, humbly human.

Mercure

Florent Mabilat • Paris • France

2017 • Oil on raw canvas

145 x 195 cm

anything in between

In Trees

Mireille Loup • Arles • France

2013 • Giclee printing process with Ultrachrome ink on Harman Baryta

Edition 2 / 5

104 x 72 cm

It's an anaglyph work, in virtual reality. So, I give you special sunglasses to see the 3D image.

Breaking THROUGH!

Stephanie Mackenzie • Paris • France

2019 • Acrylic and Acrylic Ink on Canvas

80 x 60 cm

The stranger

Mireille Loup • Arles • France

2014 • Giclée process on Hahnemühle Fine Art Pearl 285gsm

Edition 1 / 5

40 x 40 cm

" "A kingdom of fallen or about to fall angels, but still a kingdom ..." (James Agee). The shift from childhood to adolescence remains a secret passage, a complex and fascinating suspended time. Mireille Loup gives us almost ghostly images, where the characters portrayed, express the expectation of a still uncertain future. In a period of life when the eyes of others create a clear link to existence, her pictures make a wonderful account of this state of "almost asleep" characteristic of adolescence."Floriane Doury, curator, Sept. 2015.

Detail [Homme marchant de dos]

Mireille Loup • Arles • France

2019 • Giclee process on Hahnemühle PhotoRag 308g Fine Art paper

Edition 1 / 5

30 x 30 cm

Versus Dystopia or the Poetics of Uncertainty, is a research on Men and faith. It opposes the idea of a counter-utopia. It nourishes the hope that when something serious, something that defies understanding happens, Man rises to a higher form of humanity and awakens to the sublime reality of solidarity.

Temple

Mireille Loup • Arles • France

2013 • Giclee printing process with Ultrachrome ink on Harman Baryta

Edition 2 / 5

104 x 72 cm

It's an anaglyph work, in virtual reality. So, I give you special sunglasses to see the 3D image.

Outbreak [FOCUS]

Mireille Loup • Arles • France

2009 • Giclée process on Hahnemühle PhotoRag 308g Fine Art

Edition 2 / 5

40 x 40 cm

If you want it with the laminate on Dibon aluminum and chassis, please, contact, me. Mem has several meanings. Mem means in French "read-only memory (ROM)", as opposed to the "random access memory (RAM)" of the computer, while in science, Mem (Maternal-Embryonic) is the name of a medical experiment on genetics and fertility. In Hebrew, Mem or the letter M symbolizes the interior, water, mater and mother. I talk about of women as mothers, their relationship to procreation. Ode, suffering, birth, exaltation.

Homme venant soutenir le pied d’un autre étendu sur le sable

Mireille Loup • Arles • France

2018 • Giclee process on Hahnemühle PhotoRag 308g Fine Art paper

Edition 1 / 5

100 x 100 cm

If you want it with the laminate on Dibon aluminum and a chassis, please, contact me. Versus Dystopia or the Poetics of Uncertainty, is a research on Men and faith. It opposes the idea of a counter-utopia. It nourishes the hope that when something serious, something that defies understanding happens, Man rises to a higher form of humanity and awakens to the sublime reality of solidarity. Taoism teaches that when habits can no longer continue, one must follow a path of extraordinary behaviour. One has to "cross the great river". In Chinese philosophy one must confront uncertain waters to reach new shores. Dystopia depicts an imaginary society, a society organised in such a way as to prevent its members from achieving happiness. To the point of becoming a utopia that turns into a nightmare. The current trend is to endlessly repeat that the world is ill, that our planet is dying, that our civilisation is decadent, that humans are cowards or worse, traitors. I felt that it was important to create Versus Dystopia (...) I often like to believe that uncertainty is what makes us the most human, humbly human.

La Vie en Rose II

Kerstin Paillard • Juan les Pins • France

2018 • Pigments on stretched canvas

100 x 100 cm

«Quand il me prend dans ses bras Il me parle tout bas Je vois la vie en rose» La Vie en Rose was the signature song of popular French singer Édith Piaf, written in 1945. It is the song that made Piaf internationally famous, with its lyrics telling about the joy of finding true love and appealing to those who had survived the difficult wartime. I use pigments on canvas and finish with gloss varnish.

Bold AMBITION!

Stephanie Mackenzie • Paris • France

2019 • Acrylic, Acrylic Ink and Gel Mediums on Canvas

100 x 80 cm

Nearing

Mireille Loup • Arles • France

2014 • Giclée process on Hahnemühle Fine Art Pearl 285gsm

Edition 2 / 5

30 x 30 cm

If you want it with the frame, please, contact me. Amongst temples, water sceneries, disembodied characters and mysterious titles that evoke the sixty-four hexagrams of I Ching, Prophecies talks to us about the wandering presence of ancestors, about the invisibility of things, about the Book of Changes from the Taoist tradition, about the non-action of Chinese thinking. Her work questions our perceptions, develops aesthetic hypotheses based upon these fugitive and briefly destabilising flashes we sometimes perceive, letting us see a possible window open onto another world.

Time TO CHOSE!

Stephanie Mackenzie • Paris • France

2019 • Acrylic, Acrylic Ink and Gel Mediums on Canvas

145 x 120 cm

Setbacks

Malcolm Giscloux • Toulouse • France

2017 • charcoal on paper

100 x 70 cm

Urbain dance.The charcoals are created from millions of superimposed traints forming the image thus making it possible to vibrate and at the same time to freeze the subject in time. A special atmosphere is formed.

The Colour of Television n° 1

Yohannes Camps-Campins • Paris • France

2018 • Liquid water colour, fluorescent ink, digital

Edition 1 / 5

100 x 137 cm • Framed: 101 x 138 cm

The sky above the port was the color of television, tuned to a dead channel. Neuromancer / William Gibson Medium : Liquid water colour, fluorescent ink, digital

Do not leave

Jean-Yves Le Breton • Montolieu • France

2010 • Oil with knife on linen canvas

90 x 90 cm

ship wreck in a surrealistic universe

Beyond 03

Mireille Loup • Arles • France

2016 • Giclée process on Hahnemühle PhotoRag 308g Fine Art

Edition 2 / 5

146 x 86 cm

If you want it with the laminate on Dibon aluminum and chassis, please, contact, me. Mireille Loup talks here about the "raptus" of a child, those departures out of ordinary consciousness, but also of "polytropic" intelligence (from the Greek, polytropos: several changes / multiple laps), this faculty of polymorphic adaptability that gives the ability to make detours, to wander in a positive way and that Homer used to describe Ulysses, “Ulysses polytropos”, a metaphor of the uncatchable octopus with its thousand folds.