Netherlands

Duckweed

Paméla Maria Schellekens • Amsterdam • Netherlands

2018 • acryl paint on prepared Hahnemullerpaper 360 gr

70 x 100 cm

Duckweed is inspired by the ditch behind my backyard: a beautiful spot with trees, duckweed, birds and the reflection of the sun and the clouds in the water. The 'beauty of the everyday' is an important factor. Zooming in on patterns, structures and light in the (urban)landscape. The works depict how these impressions slide over each other and yield new compositions with endless colour shades. Details where color and light on the skin of things is characteristic for the translation of reality.

Forest of Beeches

Laurens Boersma • Annerveenschekanaal • Netherlands

2018 • oil on linen

160 x 100 cm

Summer reflections

Paméla Maria Schellekens • Amsterdam • Netherlands

2018 • photo, yarn,

40 x 40 cm • Framed: 43 x 43 cm

Zooming in on patterns, structures and light in the (urban)landscape. The works depict how these impressions slide over each other and yield new compositions with endless colour shades. Details where color and light on the skin of things is characteristic for the translation of reality. The yarn picks up details, directs the eye and adds a third dimension’. The ‘Reflections’ serie are inspired by how the water and the air influence each other and form an endless wealth of color shades.

border, no border

Paméla Maria Schellekens • Amsterdam • Netherlands

2018 • wood, acrylpaint, yarn

40 x 40 cm • Framed: 43 x 43 cm

’For me, working with these materials is a changing process: from reality to geometric pro- portions. And vice versa, from the geometrical planes to the reality, and again from reality. A process in which color plays an important role. The seemingly flat surface changes into a relief with several dimensions. The yarn picks up details, directs the eye and adds a third dimension’.

Tiles 5

Paméla Maria Schellekens • Amsterdam • Netherlands

2015 • foam board, yarn

40 x 40 cm • Framed: 43 x 43 cm

The 'beauty of the everyday' is an important factor. Zooming in on patterns, structures and light in the (urban)landscape. The works depict how these impressions slide over each other and yield new compositions with endless colour shades. Details where color and light on the skin of things is characteristic for the translation of reality. The idea of space or foreground/background is not defined by shape or color, but only by the texture.

The Trickster

Sander Wiersma • Leiden • Netherlands

2017 • Mixed media (Collage) on paper

15 x 21 cm • Framed: 25 x 31.5 cm

Reflection 1

Laurens Boersma • Annerveenschekanaal • Netherlands

2017 • oil on linen

80 x 60 cm • Framed: 97 x 77 cm

Try Wearing a Corset

Sander Wiersma • Leiden • Netherlands

2017 • Mixed media (Collage) on paper

15 x 21 cm • Framed: 25 x 31.5 cm

Flooded and Frozen

Laurens Boersma • Annerveenschekanaal • Netherlands

2018 • tempera on panel

80 x 60 cm • Framed: 91 x 71 cm

Geometry 4

Anita Dielen • Goirle • Netherlands

2010 • Olieverf op linnen

80 x 80 cm

Inner ballans

Into the woods

Paméla Maria Schellekens • Amsterdam • Netherlands

2019 • photo, yarn

50 x 70 cm • Framed: 53 x 73 cm

The subtle use of colours and detailed texture plays a refined game with the light and determine the character of the work. The yarn picks up details, directs the eye and adds a third dimension’.

The old man and his Silence II

Mimi van Bindsbergen • Malberg • Germany

Netherlands • 2017 • Acrylics conte on canvas

60 x 120 cm

The old man and his Silence and The Ephemiral life forever II & III short movies, are about my father. One day I saw his Silence. Him sitting in his house at the table. His daily routine, sitting in his surroundings with his thoughts. His clocks and birds. He is alone. A Silence that circles around him. Although the clock ticks and the birds sing. The work emphasize the mood he is in. It is as beautiful as it is confronting.

Twilight 2

Paméla Maria Schellekens • Amsterdam • Netherlands

2014 • cardboard, yarn

30 x 30 cm • Framed: 33 x 33 cm

The 'Twilight' serie is rooted in the strict rhythm of (office) facades where the idea of space or foreground/background is not defined by shape or color, but only by the texture.

Eye 7

Paméla Maria Schellekens • Amsterdam • Netherlands

2018 • wood, acrylpaint, yarn

30 x 30 cm • Framed: 33 x 33 cm

’For me, working with these materials is a changing process: from reality to geometric pro- portions. And vice versa, from the geometrical planes to the reality, and again from reality. A process in which color plays an important role. The seemingly flat surface changes into a relief with several dimensions. The yarn picks up details, directs the eye and adds a third dimension’

From Luthania

Laurens Boersma • Annerveenschekanaal • Netherlands

2015 • oil on linen

120 x 80 cm • Framed: 135 x 95 cm

Sea landscape

Paméla Maria Schellekens • Amsterdam • Netherlands

2018 • acryl on paper, yarn

71 x 7.5 x 71 cm

The reliefs are made with yarn and paper/board/photo that portray the tranquil landscape of Holland. The subtle use of colours and detailed texture plays a refined game with the light and determine the character of the work. ’For me, working with these materials is a changing process: from reality to geometric pro- portions. And vice versa, from the geometrical planes to the reality, and again from reality. A process in which color plays an important role. The seemingly flat surface changes into a relief with several dimensions. The yarn picks up details, directs the eye and adds a third dimension’. The 'Sea Landscapes' are made with acrylic painted paper in many shades of green and yarn that portray water landscape in the Caribbean.