Surrealism

Monolith #1

Joann Renner • Butler • United States

2018 • pastel on sanded paper

5.08 x 8.89 cm

The first of a new series of minimalist pastel images using simple geometric shapes and architectural devices for a monumental Surrealist vibe. I am also trying these images as oil paintings on a larger scale to see the difference in outcome.copyright 2018I like to do this type of image when I need to take a break from my regular work. It helps me to recharge my batteries so to speak.

Reminiscence

Jean-Yves Le Breton • Montolieu • France

2018 • Oil with knife on linen canvas

50 x 50 cm

Landescape with faded memories sweetened over time...

A notion of happiness

Lazaro Hurtado • Buenos Aires • Argentina

2017 • Acrylic on cardboard/paper

100 x 70 cm

Send rolled in a tube llustrated thoughts

The eye of the system

Vorden Art • Odense • Denmark

2018 • oil on canvas

80 x 80 cm

hermes

Alou • Lyon • France

Thailand • 2018 • oil on canvas

40 x 50 cm

hermes in is monday suit

Picnic

Alexa Szlavics • Balatonfured • Hungary

2019 • Digital painting

33 x 36 cm

Art vision a special mood of picnic. Aristocratic nostalgia. !Important! Only the digital image for sale! 5000 px x 5500 pixel high resolution printable .jpg image. This is the best quality to print the artwork in 36 cm x 33 cm. You can print it in biger size too. If you buy it, you will recevie the artwork in e-mail.

After theatre

Alexa Szlavics • Balatonfured • Hungary

2017 • digital painting

40 x 42 cm

One night after theater. The mood is aristocratic, nostalgic. !Important! Only the digital image for sale! 4785 px x 5000 px high resolution printable .jpg image. This is the best to print in the size 40 cm x 42 cm, but you can print it in bigger size 70 cm x 67 cm. If you buy it, after paying you will recevie the artwork in e-mail.

Arow

Piotr Wozniak • Przerąb • Poland

2018 • Wax, acrylic paint, offset, board

70 x 100 cm • Framed: 76.5 x 106.5 cm

As specimen who subjected Earth to ourselves, we are getting closer to the point of no return. Are we becoming, in some perverse way, similar to God by sending down the plagues to ourselves? Information about the explosion of death brought by totalitarianism, human-induced cataclysms and epidemics are flooding us through mass media, causes contradistinction good from evil impossible to tell. Or maybe this impossibility is the result of lack of the question about the gist of evil? The vanitas motif in my artwork is to remind about inevitable evanescence and death. Nowadays perception of death became unduly simplified. The omnipresence of intrusive media chasing after bombshell leads us to insensitivity, we are becoming more and more resistant to the view of brutal crimes, bloody deaths and corpses. Simultaneously galloping digitalization, that marshals us using algorithms and blears the boundaries between real and virtual world, is dehumanizing our race. Imperfections following from the fragility of every human being combined with contemporary echoes of the biblical plagues, diseases and mortality will bring doom to humanity.

I Make My Own Music

Zuzana Uhlíková • Plzeň • Czech Republic

2014 • Satin Baryta paper 290 g/m2

Edition 1 / 5

100 x 100 cm

Limited Edition 1 of 5 ( print 100 x 100 cm / 39.4 x 39.4 in + 3 cm white border) Also available as edition (25) at 40 x 40 cm / 15.7 x 15.7 in, edition (10) 80 x 80 cm / 31.5 x 31.5 in and edition (3) 140 x 140 cm / 55.1 x 55.1 in.It is printed on museum quality archival paper Satin Baryta 290 g/m2. Each print is individually signed and numbered on the 3 cm margin. They come with a signed Certificate of Authenticity. All prints are shipped worldwide rolled in a protective tube.

We were here God, where have you been at the time?!

Vorden Art • Odense • Denmark

2018 • oil on canvas

80 x 100 cm

I am your mother and you are the last one

Vorden Art • Odense • Denmark

2017 • oil on canvas

50 x 60 cm

Lioness

Sinisa Saratlic • Jacksonville • United States

2007 • acrylic on linen

76 x 101 cm

original painting , acrylic on linen