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Caress 24
Yenny Cocq • Santa Fe • United States
Thailand • 2019 • Bronze and Natural Stone
Edition 6 / 24
17 x 25 x 60 cm
Lost wax cast bronze sculptures of two independant contemporary figures that are seated on a natural stone base or shelf. The sculptures are 60 cm tall and part of a collection. This pair is the size of a marquette for a life size and a hlaf sculpture to be placed in the permanent collection of the Benson Sculpture Garden in Loveland Colorado.
€ 4.700 Add to cart -
Dream Peaks
joerg walker • Zurich • Switzerland
2013 • "Poschiavo Serpentinit" and rock crystal from Switzerland
29 x 30 x 29 cm
Sculpture made out of "Poschiavo Serpentine" and Quarz from Switzerland. 15 RGB LED driven by a PIC Micro controller produces a repeated loop of color changing light (interval about 1/2h).
Price on request Read more -
Make ‘Em All Mexican: The Sun God Tonatiuh
Linda Vallejo • Los Angeles • United States
2011 • Acrylic, 14k gold leaf, pigment of original painting, repurposed plaster
40.64 x 25.4 x 55.88 cm
€ 5.720 Add to cart -
Sfinx
Frank Slabbinck • Bruges • Belgium
2017 • HDM
Edition 30 / 30
32 x 12 x 50 cm
€ 580 Add to cart -
Soil – SpaceFormJerusalem
Djordje Aralica • Belgrade • Serbia
Israel • 2007 • terracotta
16 x 9 x 25 cm
Terracotta fired on 900 degrees C, 25x16x9cm (9.84x6.3x3.54in), signed on the concave side. The piece was made for my cycle entitled SpaceFormJERUSALEM, which was inspired by the impressions collected during my ten-month long sojourn in the fascinating city of Jerusalem. The exhibition catalogue discribes its major sentiment: SpaceFormJerusalem The recent body of work created by Djordje Aralica explores the artist’s relationship to his temporary home in SpaceFormJerusalem. It was here that our paths crossed in early 2007, and it has been both an honor and pleasure to become his friend. While the sculpture of this series inconsistently architectonic, evoking both pre-modern and contemporary architectural forms, Djordje has chosen to render the pieces in terra cotta, a medium which has a long history dating back to antiquity. The juxtaposition of elements of the past and present in his work is a metaphor for the seemingly inherent contradictions found around every corner of Jerusalem. In this way his work evokes the modern city with its long and rich past, which struggles to accommodate all of the trappings of modernity. One of the most visible examples exists in the contemporary architecture and public monuments of Jerusalem which appear often to be in conflict with the surrounding environment. Several of his pieces are displayed to represent a similar disjuncture. In all of his sculptures—whether those that are strictly geometric or those that are more organic—he experiments with the interplay of light and shadow, solids and voids, as well as texture to create pieces which convey a sense of quiet monumentality. Moreover, his work emphasizes simple lines and basic forms: for it is in the absence of excessive detail and ornamentation that the viewer is able to grasp the mediation of past and present which is embodied by Djordje Aralica’s work. Karen Britt, PhD, Art Historian
€ 590 Add to cart -
Make ‘Em All Mexican: Big Boy
Linda Vallejo • Los Angeles • United States
2012 • Acrylic, repurposed rubber
10.16 x 10.16 x 20.32 cm
€ 1.100 Add to cart -
Vespers Orbeum
Robert M. Hopkins • Beijing • China
United States • 1996 • Rust stained canvas over wood.
104.14 x 46.99 x 104.14 cm
In this series of wall sculptures, the organic process of wrapping and unwrapping rusted metal with wet canvas imbues the work with a shroud-like pathos. The wood-ribbed armatures and Latinate titles are meant to evoke a poetic sense of contemplation.
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Cloud Cell [in plexiglas case and stand]
Xiaojing Yan | 闫晓静 • Toronto • Canada
2016 • Fresh water pearls, monofilament, in plexiglas case and stand.
Edition 1 / 4
58 x 58 x 185 cm
Available in different colours.
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Flux VII
Xiaojing Yan | 闫晓静 • Toronto • Canada
2009 • Tissue paper and natural reed.
89 x 89 x 76 cm
By employing the traditional craft of lantern making, I created forms that resemble life in nature. This is based on my experience of the state of constant change in identity. In the process of growth, a temporary stage of evolution like these cocoon forms, presents a state of new life start and reborn and reincarnation. It is a self that adapts changes and growths yet aware and protected from the harsh environment.
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Happy devil
Frank Slabbinck • Bruges • Belgium
2018 • Hard density fibre board and plexie
Edition 29 / 30
25 x 10 x 37 cm
€ 580 Add to cart -
Eight Megapascals
Nhat tran • Indianapolis • United States
2018 • Natural urushi lacquer on grizzly bear skull
33 x 41 x 92 cm
Natural urushi lacquer on grizzly bear skull Hand-wrought iron, signature-stamped stand
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My Friend Time
Bozena Kaluga • London • United Kingdom
1994 • cotton
180 x 138 cm
Colour fiber art object panel-3,created with my own unique technique.
€ 36.000 Add to cart -
Cloudscape
Xiaojing Yan | 闫晓静 • Toronto • Canada
2009 • Paper and natural reed.
300 x 300 x 180 cm
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Mountain of Pines
Xiaojing Yan | 闫晓静 • Toronto • Canada
2019 • pine needles and silk organza
10 x 140 x 250 cm
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Yellow
Frank Slabbinck • Bruges • Belgium
2015 • High density fibreboard
43 x 20 x 60 cm
Animal
€ 1.800 Add to cart -
Make ‘Em All Mexican: Mi Amor
Linda Vallejo • Los Angeles • United States
2012 • Acrylic, 14k gold leaf, pigment print of original painting, repurposed plaster, pedestal
20.32 x 10.9982 x 50.8 cm
€ 3.080 Add to cart -
We do not know what this is but certainly it is not what you think it is
SOLDAna Krstic • Berlin • Germany
Serbia • 2012 • Installation, paper, metal
Edition 1 / 3
550 x 400 x 350 cm
“We do not know what this is but certainly it is not what you think it is” is a sculpture that is formally based on the experience of minimalist art, the relationship of body perception and object-architecture relationship according to what is said on the subject by Robert Morris. Excessive size of the object in the gallery space does not allow the object to be viewed in its entirety …
€ 6.500 Read more -
Soul like
Alec Papuc • Bucharest • Romania
2016 • Burnt Clay
24 x 16 x 34 cm
The artworks are unique due to the unrivaled technical process, they show cracks due to the fact they are compact and not empty like the usual ceramics but these cracks are stabilized by gluing with the metal glaze at a temperature of 1040 degrees,therefore the cracks are part of the artistic charm and they are not present by accident. The artworks in this series are part of an artistic project called ,,the articulation of a dream on a bone". They are telling us about the touching of the soul that occurs in strange and unfamiliar areas, thus revealing the mysterious inner life of man.
€ 4.000 Add to cart -
City girls
SOLDAna Krstic • Berlin • Germany
Serbia • 2010 • Plastics, video installation, audio installation
300 x 300 x 250 cm
A story about my friends and me. Coming from small towns, studding in Belgrade, eventually achieving, of failing to integrate. The installation consists out of seven “flying basins” (plastic washbowls attached to the ceiling) – with video and audio recordings. This work was made as a site-specific installation for the 25. edition of Nadežda Petrović Memorial in Serbia, was awarded with the audience reward and is in the collection of this internationally renowned gallery.
€ 3.400 Read more -
She Rose
Danae Geme • Athens • Greece
2018 • Clay, porcelain
16 x 14 x 35 cm
Female figure transforming into a rose, with many legs that don't go anyware! She has risen
€ 450 Add to cart
