Sculptures

Make ‘Em All Mexican: Mi Amor

Linda Vallejo • Los Angeles • United States

2012 • Acrylic, 14k gold leaf, pigment print of original painting, repurposed plaster, pedestal

20.32 x 10.9982 x 50.8 cm

Happy devil

Frank Slabbinck • Bruges • Belgium

2018 • Hard density fibre board and plexie

Edition 29 / 30

25 x 10 x 37 cm

Creusa Blue

Rosie MacKenzie • Inver, Tain , Ross-shire • United Kingdom

2018 • Bronze bolt balanced on a glass egg.

35 x 15 x 15 cm

A bronze bolt balanced in a groove on a glass egg.

01.01.1996

Jürgen Albrecht • Hamburg • Germany

1996 • Holz, Papier, Farbe, LED - Licht

64 x 23 x 14 cm

Eine Skulptur, von Aussen ein schlichter, weisser Quader, offenbart in ihrem Inneren, einsehbar durch eine Art Fenster, einen stillen Ort, fern von Zeit, dem Hier und Jetzt. Gefertigt aus  leichtem Holz und mit eigener, vom äußeren Raum unabhängiger Innenbeleuchtung kann sie an der Wand oder auch freistehend installiert werden.

Welding iron metal sculpture Oneiric still life

Kloska Ovidiu • Focsani • Romania

2018 • welding metal sculpture

35 x 35 x 45 cm

i wanted to see a kafkian eternity still life in space how could "breathe" and as a result i absolutelly love my second iron welding sculpture eternity finished 28 December 2018 iron welding metal sculpture aprox 35 x 45 x 35 cm signed december 2018 sculpture is varnished to prezerve all the reflections and metal intervention in time one of the kind pieceKafkian eternity with flowers at 7 pm series : This series of artworks refers to the metaphysical approach to space populated by a pot with flowers, a near seen like a section of a personal temporal eternity, where the vegetative elements are transfigured into the metaphysical, transcendent .Thus, at the limit figuration, the immanents of the light becames oniric reflections and transparents, the flower shape became sphere, within which persist the traces of the pass, of the wear, the cyclicity. The series title, although apparently suggestive, is not refering to the absurdity and anguish prosaic present in Kafka's universe, but rather its starts from the idea of freezing of the personal physical time, by a simple meditative exercise of pure contemplation of the close realities transformed by the passing of time. For me, as an artist, the still life is a perfect excuse to create a vibrant game between the idea of the volatility and the perennial of the world that we perceive around us, and the essence of the human spirit: the conscience. My "flowers" are subtle expressions of a meta-reality, where the viewer is invited to meditation, to exercise his spirit, to discover that energy, that forsure we all have it inside us, that resonates with the silence of the begining of begining. Ovidiu Kloska

Make ‘Em All Mexican: La Serena

Linda Vallejo • Los Angeles • United States

2014 • Acrylic, metal flake, repurposed aluminum

40.64 x 25.4 x 69.85 cm

Make ‘Em All Mexican: La Elegante

Linda Vallejo • Los Angeles • United States

2014 • Acrylic, repurposed porcelain

20.32 x 12.7 x 33.02 cm

Sfinx

Frank Slabbinck • Bruges • Belgium

2017 • HDM

Edition 30 / 30

32 x 12 x 50 cm

Make ‘Em All Mexican: Big Boy

Linda Vallejo • Los Angeles • United States

2012 • Acrylic, repurposed rubber

10.16 x 10.16 x 20.32 cm

Make ‘Em All Mexican: Mi Amor

Linda Vallejo • Los Angeles • United States

2012 • Acrylic, 14k gold leaf, pigment print of original painting, repurposed plaster, pedestal

20.32 x 10.99 x 50.8 cm

Creusa silver

Rosie MacKenzie • Inver, Tain , Ross-shire • United Kingdom

2018 • Cast pewter bolt balanced on a glass egg.

35 x 15 x 15 cm

Pewter bolt hand cast in oiled sand balanced in a groove on a glass egg with silver leaf.

Uh…

Ber Lazarus • Ramat Gan • Israel

2018 • aluminum letters, electric box, speaker, wire, steel, braided copper, paint, audio player

15 x 12.5 x 54 cm

A non-word, a sound really, this space between thoughts, this "Uh...", of everyday speech here portrayed as a concrete object.