Faransa MAC Lyon Dindindin tattara Musée d'art contemporain de Lyon zamani immersive girkawa purple haske mutane suna bacci

LYON Faransa | MAC Lyon | Dindindin Tarin

Faransa • Lyon

Musée d'art zamani de Lyon

Tarin macLYON ya fara ne lokacin da Lyon City Council ta yanke shawara a 1980 don haɓaka fasahar zamani.

A lokacin, akwai babban rata tsakanin Lyon da kuma wasan kwaikwayon fasahar ƙasa a wurare kamar Amurka da Turai.

An zaɓi wani zaɓi mai mahimmanci don karɓar yanayin da ake ciki na duniya, ko don cike wani rata, a maimakon haka don kimanta ma'adanin yadda ya dace, da kuma aiki tare da masu zane-zanen rayuwa tare da manufar ƙirƙirar gidan kayan gargajiya wanda ya dace da su.

Wannan ya samo asali ne daga sha'awar yin abubuwa ta hanyar fasaha da fasaha, kuma don kafa tarin abubuwan da suka ƙunshi mafi yawan shigarwa, gami da ayyuka waɗanda ba sa iya zama abubuwa kamar (wasan kwaikwayo, ayyuka, abubuwan da suka faru, abubuwan da suka faru), ɓangarorin da suke ƙoƙarin ɓatar da nau'ikan da na al'ada. hanyoyin kiyayewa da nune-nune.

Tun daga wannan lokacin, masu fasahar da aka gayyata don ba da gudummawarsu ga ci gaban aikin gidan kayan gargajiya suna ci gaba da ƙalubalantar hukumar.

Fragarƙasasshen, har ma ba a iya jerawa ba, abin tunawa, ƙwanƙwasawa da fasaha suna haɗa kafadu tare da jiki, na ɗan lokaci, ƙanana da ƙanƙantattu.

Faransa MAC Lyon Dindindin tattara Musée d'art contemporain de Lyon zamani art yumbu kankare ball handprints

Tarin ya samo asali ne daga mizani mai sauƙi: nunin nunin ya zama filin mawaƙan, ƙalubalen da mai zane ke aiwatar da aikinsa. Ga gidan kayan gargajiya, nunin ya haifar da tambayoyin da suka shafi samar da kaya, kayan tarihi da kuma samun ayyukan.

Thierry Raspail, mac ya faraLYON collection a halin yanzu ya ƙunshi guda 1,450, mafi yawan waɗanda aka nuna a cikin haɗin kai ko nunin al'adun gargajiya wanda gidan kayan gargajiya suka shirya. Tun daga farkon 1984, lokacin da aka buɗe nune-nune na farko, an ƙirƙiri ayyuka ta hanyar zane-zane masu rai a matsayin ɓangare na nune-nunen yanayi, kuma a cikin wannan mahallin an samar da ayyuka da yawa, haɓaka, gwada, da kuma zaɓaɓɓu don samin kayan gargajiya.

Anyo cikin ainihin fasahar gani, tarin yana gabatar da ire-iren fannoni daban daban, kayan aiki da girma: wasan kwaikwayo, zanen, sanya bidiyo, sassaka, saitin sauti, daukar hoto, zane, silima, shirye-shiryen kwamfuta da littattafai.

An nuna shi da yawaitar shigowar abubuwa masu girma, alamace ta canjin fasaha zuwa ga halittar duniyoyi masu nutsuwa, wanda baƙon zai iya kaiwa ga kai tsaye.

France MAC Lyon Permanent Collection Musée d'art contemporain de Lyon zamani immersive shigarwa mai launin haske gilashin fenti

MacenLYON Har ila yau, yana da bambanci na samun cikakkun nune-nunen, wanda za a iya nunawa a kwanan wata, amma har ila yau yana kiyaye ayyuka waɗanda da gangan suke gwada iyakokin matsakaitansu da kuma rukunan rukunan horarwa game da abin da ke sabo.

Misali, wasu zane-zanen a cikin tarin ana iya cewa su dauki tsarin shigarwa (Lucio Fontana, Ambiante Spaziale, 1969), wasu suna ci gaba da juyi akan lokaci (John M. Armleder, Gestrum Sau uku, Maris 2006).

Wani aiki yana zaune cikin ɓacewar abin daga abin da aka samo daga shi (Claudio Parmiggiani, Terra, 1989) yayin da wani ya bayyana kawai mintuna biyar a rana a wata na shekarar (Maria Nordman, Lyon, 1987).

Za'a iya ganin cikakken shigarwa kawai tsawon kwanaki ɗari (Daniel Buren, Le temps d'une œuvre, 2005). 

Ana amfani da babban adadi na mutum takwas azaman sassaka (Cai Guo Qiang, Tarihi mai sabani: Ruwan Sama, 2001) Yayinda farantin gilashi mai santsi yake jawo farin turaren baƙi (James Lee Byars, Darfin Zane Mai Bashi, 1983).

Wani abin da zai nemi hankalin mu tsawon mintuna goma sha biyar kafin ya ba mu shakku kan tsinkayewarmu (James Turrell, The jira, 1989).

Lokacin da aka cika aiki ba'a iya maye gurbinsu ta hanyar bidiyo (Marina Abramović da Ulay, Kwazazzabo, Satumba 1977-1999, Jan Fabre, Kashe kansa?, a kusa da 1980), yayin da sautin mara iyaka yana iya jefa mu cikin mafarki na har abada (La Monte Young da Marian Zazeela, Gidan mafarki, 1990).


 




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