With these words a sort of manifesto of his art, ispresented the artist KEKI, so Francesca fachechi.
His works represent his own research and his ownlanguage, which from the chosen titles, intend toadvance according to a precipua narrative, fruit of thisdesire for sublimation through which harmony and beauty interact in an essential way. All his workspropose representations in which the eternal femininebecomes the sensual protagonist of a mystical and mystical mink, far from any malicious retro thought.
The paintings are outlined, according to the canons of a mimesis that sinks into the real, in the staging of warm, vibrant atmospheres, veiled with refined sensuality, in which the woman stands out as the absolute protagonistof drama and composition, in a tension towards a limbicimmanence.
What the observer examines, has before him, it is onlyan instant that the artist has captured eternal faces and sinuous bodies that inhabit places not recognizable butwritable to a tradition that looks at the German avant-garde and the Eastern tradition.
The women of KEKI are the emblem of awareness, oftheir strength. From this emerges also that freedom ofwhich the painter mentions that in addition to beingpictorial, it is also and in particular ontological value.